Side A:
1. Like The Night Itself - 03:36
2. La Casa di Ponsacco (feat. Tommy Emmanuel) - 03:05
3. Pensieri - 03:48
4. Nocelle - 04:16
5. Aurelian Intermezzo - 02:28
Side B:
6. Segretezza - 04:03
7. Midnight - 02:55
8. Camino Intermezzo (feat. Printz Board) - 03:05
9. Nike of Samothrace - 03:58
10. Strawberry Moon - 03:19
After 3-years of composition, arranging, production, testing, recording in some of the most world’s most storied locations, and collaboration with the world’s best, ‘Like The Night Itself’ is finally ready for Preorder on Vinyl. With every element from song-conception to mastering considered from the point of view of “what deserves to exist … what is a pure expression … what is the most beautiful thing I can leave when I’m gone”, you’re sure to be adding a piece to collection that will remain special for decades to come. With collaborations from Grammy Winners Tommy Emmanuel, and Printz Board, ‘Like The Night Itself’ is poised to be come a classic in the instrumental guitar canon, and an evocative soundscape for cinema. Available in complete form only on Vinyl for the time being, the album will be rolled out digitally over the course of 2025-26.
Thank you to the incredible personnel who contributed to the production of the album:
OCF Studio | Hydra, Greece | Stephan Colloredo-Mansfeld
Belairstudio | Rome, Italy | Alberto Lombardi
Picwave Studio | Rome, Italy | Davide Lomagno
Tommy Emmanuel | Track 2 Feature | The Beach, Nashville, TN, USA
Printz Board | Track 9 Feature & Engineer | Los Angeles, CA, USA
Mix Engineer: Hayden Lauersen | Melbourne, VIC, Australia
Mastering Engineer: Klaus Hill | Melbourne, VIC, Australia
Avery Bright (Violin & Viola) & Kevin Bate (Cello) | The Beach, Nashville, TN, USA
Cover Photography Location: Sanctuary of the Great Gods | Samothrace, Greece
All other Instrumentation Performed, Programmed & Produced by Kyran Daniel
Album Art: Karim Amr | Cairo, Egypt
‘Like The Night Itself’ was funded exclusively through generous patronage. Melbourne Recital Centre funded the business startup, then for the album the Initial funding rounds were via Creative Australia & MATCH Lab, followed by private contributions for the Mixing & Mastering stages. An enormous thank you to all patrons: Maik Martens, Raik Heinemann, Beth Kilgour, Linda Baker, Lorenzo Fiorentini, Daniele Abela, Yeman Al-Rawi, Tom Garnett, Moritoshi Sakaguchi, Yuji Kadowaki, Ron Stavale, Julie Stachecki Johanningsmeier, Barry Lonik, Charles Griffith, Michael Dennehy, Jerome Washo, Greg Bergin, Rich Brown, James Dean, Bianca Milewski, Jawna Standish, Howard Wilson, Hannah Hartley, Mark Dolar, Patricia Lynch, Stephen Bouffard, Steven Obremski, Daniel Norris, Sarah Shelton, Tina Harris, Heather King, Robin Franklin, James Malcolm, Susie Madden, Marie Camin, Joy Selby Smith, Warwick & Paulette Bisley, Mary-Jane Gething, Sue Pelka, Richard Caven, Sally Louis & Mark Sandstrom, Corey Snowden & Sarah Shelton.